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	<title>natesviolin.com &#187; Brant</title>
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	<description>a celebration of all things violin</description>
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		<title>about last week&#8217;s chamber music,</title>
		<link>http://www.natesviolin.com/2009/05/22/about-last-weeks-chamber-music</link>
		<comments>http://www.natesviolin.com/2009/05/22/about-last-weeks-chamber-music#comments</comments>
		<pubDate>Fri, 22 May 2009 22:41:41 +0000</pubDate>
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				<category><![CDATA[journal]]></category>
		<category><![CDATA[Beethoven]]></category>
		<category><![CDATA[Brahms]]></category>
		<category><![CDATA[Brant]]></category>
		<category><![CDATA[chamber music]]></category>
		<category><![CDATA[CSO]]></category>
		<category><![CDATA[Haydn]]></category>
		<category><![CDATA[Heifetz]]></category>
		<category><![CDATA[Mendelssohn]]></category>
		<category><![CDATA[Novacek]]></category>
		<category><![CDATA[Rachmaninov]]></category>
		<category><![CDATA[Schoenberg]]></category>
		<category><![CDATA[Sibelius]]></category>
		<category><![CDATA[Znaider]]></category>

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		<description><![CDATA[how could I forget to post?  First, the sextets.  Znaider is a wonderful player, which was true not only in our chamber concert but in his Beethoven concerto with the CSO later in the week.  He was also a gracious colleague and compelling leader.  We had two rehearsals, and that was just about right.  Not [...]]]></description>
			<content:encoded><![CDATA[<p>how could I forget to post?  First, the sextets.  Znaider is a wonderful player, which was true not only in our chamber concert but in his Beethoven concerto with the CSO later in the week.  He was also a gracious colleague and compelling leader.  We had two rehearsals, and that was just about right.  Not enough for too many cans of worms to be opened, but enough to smooth most rough edges.  We reversed the program order, so Schoenberg was first and Brahms B-flat the closer.  This was a good move, I think, because even for a short program like this, concentration and stamina become factors with so little rehearsal time.  Add to that the fact that we&#8217;re trying to project in a big hall, and you&#8217;ve got 6 tired string players after an hour&#8217;s time!  Well, 5 maybe; who knows how much Znaider had in reserve?  I think we were better off getting tired in Brahms than in Schoenberg, where there are many more ensemble issues to worry about.</p>
<p>Two interesting things:  one, Znaider was quite taken with my Heifetz mute, although he refused to use it for the concert.  &#8220;I could not sleep at night,&#8221; he said, &#8220;knowing that I had deprived you even for one hour of such a mute.&#8221;  I guess I&#8217;ll hang onto this piece of rubber.  Two, Znaider broke his E-string near the end of the Brahms, much to the delight of the audience.  People always get a kick out of that!  We wondered whether he had rigged it to go off during the Beethoven concerto later in the week. <img src='http://www.natesviolin.com/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p>Then on Saturday, a trio concert with Brant and John Novacek.  Another limited-rehearsal deal, but at least this trio has played together many times.  What a fun group!  Too bad we only get once or twice a year to do this kind of thing.  That program was Haydn E-flat, Rachmaninov <em>Trio Elegiaque</em>, Sibelius <em>Canon </em>for violin and cello (to tie in with that week&#8217;s CSO program) and Mendelssohn c minor.  Plus we threw in John&#8217;s <em>Intoxication </em>rag as an encore.  That should be heard often, as it&#8217;s a thrilling 2 minutes!</p>
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